FLY gloss black

A set in which nothing is put on show. Two identical solid columns stand at the ends, a pair of shelves runs between them and a long unit for the screen sits be..

A symmetrical composition over 260 centimetres in which both outer columns are glazed to their full height. After dark they glow from within, and the wall gains..

A symmetrical run of 260 centimetres. Two identical cabinets, glazed from top to bottom, stand at either end; a pair of shelves sits between them and a long scr..

A 260 centimetre composition built on the idea of half hidden, half shown. A solid column on the left, a fully glazed lit cabinet next to it, shelves and the sc..

The same 260 centimetre set as its neighbour, except the display cabinet is only part glazed: glass covers a section of the front and the rest stays solid. The ..

The most glazed version in the range: three glass columns stand side by side and form a lit wall. The overall length is 320 centimetres, the screen sits to the ..

A 320 centimetre composition with its accent in the middle: solid columns at both ends with a glazed cabinet set in the middle. Lighting works only at the centr..

A 320 centimetre version whose middle module is part glazed. Light leaves through a single window rather than the whole door, and the composition reads more qui..

A version without a single pane of glass: three solid cabinets above and two units below form an almost continuous band. The result reads as an architectural pl..

A run of 320 centimetres, its three upper modules glazed in part. Three lit windows run in a row at one height, with a double unit for the screen stretching und..

The brightest version of the long composition: all three upper modules are fully glazed and light travels their whole height. A double unit runs below, and the ..

The middle size of the range at its plainest: one solid cabinet, one screen module, two shelves. No glass, no light, only gloss planes and a clear floor beneath..