FLY gloss white

A 260 centimetre composition built on the idea of half hidden, half shown. A solid column on the left, a fully glazed lit cabinet next to it, shelves and the sc..

The same 260 centimetre set as its neighbour, except the display cabinet is only part glazed: glass covers a section of the front and the rest stays solid. The ..

A 320 centimetre composition with its accent in the middle: solid columns at both ends with a glazed cabinet set in the middle. Lighting works only at the centr..

A 320 centimetre version whose middle module is part glazed. Light leaves through a single window rather than the whole door, and the composition reads more qui..

A version without a single pane of glass: three solid cabinets above and two units below form an almost continuous band. The result reads as an architectural pl..

A run of 320 centimetres, its three upper modules glazed in part. Three lit windows run in a row at one height, with a double unit for the screen stretching und..

The brightest version of the long composition: all three upper modules are fully glazed and light travels their whole height. A double unit runs below, and the ..

The middle size of the range at its plainest: one solid cabinet, one screen module, two shelves. No glass, no light, only gloss planes and a clear floor beneath..

The same middle sized layout, but a lit glass cabinet replaces the solid one. A single glowing column on the left, a long unit on the right, shelves between the..

A middle sized set where glass covers only part of the cabinet front. That gives one glowing window instead of a continuous glass column, with the rest closed b..

A short FLY for a wall with almost no room to spare. One solid cabinet, one television module, two shelves; every piece hangs and the floor stays free. What it ..

A short 160 centimetre composition where a cabinet glazed to full height stands in place of a solid one. One narrow lit column and a long unit beneath the scree..