FLY hickory jackson

A set in which nothing is put on show. Two identical solid columns stand at the ends, a pair of shelves runs between them and a long unit for the screen sits be..

A symmetrical composition over 260 centimetres in which both outer columns are glazed to their full height. After dark they glow from within, and the wall gains..

The same 260 centimetre set, but on both outer columns only part of the front carries glass. Instead of two continuous glazed uprights the wall gains two lit wi..

An asymmetric set over 260 centimetres: a solid column on one side and a lit glazed cabinet on the other. Half the contents stay hidden and half stay in view, s..

A 260 centimetre set where one upright is closed entirely while the other carries glass across part of its front. The lit window acts as the single accent, and ..

The middle size of the range at 210 centimetres, with the plainest layout: one solid cabinet, a unit for the screen and two shelves. No glass, no lighting, only..

The same mid size layout, but a lit glazed cabinet stands in for the solid one. A single glowing upright at the side, a long unit under the screen and a pair of..

A mid size set in which glass takes only part of the cabinet front. What results is one lit window rather than a continuous glazed column, with the rest closed ..

A living room where every piece hangs on the wall and the floor beneath stays empty. FLY M1 takes 260 centimetres and is built from closed volumes: two vertical..

On FLY M2 the side columns are open at the front, with no doors at all. That gives two tall niches with glass shelves, each lit from within. In the evening the ..

The third 260 centimetre version: the end columns close behind glass doors, with glass shelves and an LED strip inside. Contents stay visible but sit behind gla..

The short version of the range, 160 centimetres of wall instead of 260. Two pieces only: a hanging unit with the burner and a solid cabinet above it. The floor ..